Ken D. Resseger
Plein Meandering, Apr 3 – May 9, 2026
Past: 60 Lispenard St, Project Room
Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Installation view of Ken D. Resseger, Plein Meandering, CANADA, New York, NY, 2026

Artworks

Ken D. Resseger,
Vertical Wave,
2025–26,
9 × 7 × 1 ⅜ inches (22.86 × 17.78 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Some Other Time,
2024,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Nothing to See Here,
2025–26,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Leaving Behind a Blue Period,
2026,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Atomic Lounge,
2024,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Tea Kettle in the Museum,
2025,
9 × 7 × 1 ⅜ inches (22.86 × 17.78 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Mind Cave #53,
2022–24,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Clouds IV,
2025,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Across the Pond,
2026,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
The Sergio Leone Painting,
2026,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Clouds V,
2026,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Dampered Hermit,
2025–26,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Two Modern Tea Kettles,
2026,
9 × 7 × 1 ⅜ inches (22.86 × 17.78 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Rock Garden at Vantage,
2026,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
Corner Suite,
2026,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood

Ken D. Resseger,
1,000,000 B.C.,
2021–26,
7 × 9 × 1 ⅜ inches (17.78 × 22.86 × 3.49 cm) (framed)
Oil and acrylic on wood
Press Release
CANADA is pleased to present Plein Meandering, a one-person exhibition by Ken D. Resseger in the gallery’s project room. The intimately scaled works beckon viewers to come close, revealing scenes full of drama-whether roiling storm clouds over a heath or a couch tossed with an unruly afghan. Informed by Surrealism and the Tonalist movement of the 19th century, the works exude both comforting familiarity and strangeness. Mysterious light sources, from lamps, suns or moons suggest visitation from an otherworldly presence.
Resseger’s palette runs toward tertiary and warm earth tones allowing a moody atmosphere of repose and contemplation. The paintings are made slowly; the images are found gradually through the painting process. Resseger’s idiosyncratic way of making is full of addition and subsequent erasure, giving the works a quavering skin-like feel. Removal adds as much as it subtracts and the paintings often feature seemingly incomplete passages. The blank spots carry the energetic residue of removal and redaction. Beyond the unusual ways they come into being, the works ultimately carry the sensation of comfort and trepidation in equal measure.
Ken D. Resseger (b. 1981, Providence, R.I.) holds a B.F.A. from Pratt Institute in NY. Recent exhibitions include Objet Outta, CANADA, New York; The Garden of Earthly Delights, GRIMM, New York, NY; Model Vivant, Jack Siebert Projects, Los Angeles, CA; Naturalisms, Galerie Sardine, Paris, France; Strange Sensation, FOYER, Los Angeles, CA; Arcadia and Elsewhere, James Cohan, New York, NY; and The Thick Stream, CANADA, New York, NY.